Caption for an illustration (shown above; artist’s signature unclear) from The Aeroplane: The International Air Transport Journal. London, c1919—
THE AIR POLICE—It has been officially stated that we are to have an Air Police Force. Probably it will be International and Local at the same time. As the designing of new uniforms is one of the most important duties of the Air Authorities, a few suggestions are offered—for which no charge will be made. Reading from left to right they are as follows—(A) Provincial Police. Armament as shown. (B) Metropolitan Police. Fitted with Aldis Lamps, Bolo Bananas and Pockets. (C) Our French Bobbies would no doubt prefer “camouflage” as a distinction from the ordinary gendarmes. (D) The Irish Constabulary would, of course, want something different from anyone else. (E) The City Police would, no doubt, go in for something quite “Posh.” (F) And “over there” the Air Force Sheriff would be “Some dog’s body.”
Showing posts with label history of design. Show all posts
Showing posts with label history of design. Show all posts
Saturday, April 27, 2024
Tuesday, February 6, 2024
Monday, June 7, 2021
The Anatomy of Color, and Nature's Colorful Palette
I am a decade past retirement age. Despite repeated half-hearted attempts to downsize my possessions, I still have a too-large collection of books. Many of them are exquisite, all but perfectly conceived, designed, and printed. How will I ever part with them? At last I’ve reached a compromise (or so I thought): Short of discarding the finest books, I have pledged to refrain from collecting significant new ones.
But I’ve fallen short of that as well. In recent months, I could not resist buying copies of two magnificent volumes, a misstep no doubt but one I am certain I’ll never regret. They are two stunning clothboard books about color (sorry, e-book editions will not suffice), both by British color expert Patrick Baty. One is titled The Anatomy of Color: The Story of Heritage Paints and Pigments (Thames and Hudson, 2017), and the other (only recently released) is all about color in nature, and—by implication, if not openly discussed—the role of color in camouflage. Produced by Baty and four contributors (Elaine Charwat, Peter Davidson, André Karticzek, and Giulia Simonini), it is titled Nature’s Palette: A Color Reference System from the Natural World (Princeton University Press, 2021).Both volumes are simply astounding in every regard. Reproduced at top is a page of bird feathers from the volume on color in nature. Each book is 300 pages or more, and while this page is especially striking, there are many more examples, page after page, that are equally unforgettable.
But I’ve fallen short of that as well. In recent months, I could not resist buying copies of two magnificent volumes, a misstep no doubt but one I am certain I’ll never regret. They are two stunning clothboard books about color (sorry, e-book editions will not suffice), both by British color expert Patrick Baty. One is titled The Anatomy of Color: The Story of Heritage Paints and Pigments (Thames and Hudson, 2017), and the other (only recently released) is all about color in nature, and—by implication, if not openly discussed—the role of color in camouflage. Produced by Baty and four contributors (Elaine Charwat, Peter Davidson, André Karticzek, and Giulia Simonini), it is titled Nature’s Palette: A Color Reference System from the Natural World (Princeton University Press, 2021).Both volumes are simply astounding in every regard. Reproduced at top is a page of bird feathers from the volume on color in nature. Each book is 300 pages or more, and while this page is especially striking, there are many more examples, page after page, that are equally unforgettable.
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