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| Oliver Herford (c1880). Public Domain. |
Edmund Wilson, The Twenties: From Notebooks and Diaries of the Period. New York: Farrar, Straus and Giroux, 1975, p. 234-235—
National Winter Garden. Speaking between the acts—someone had said, apropos of some risqué Broadway comedy, that when he wanted to hear “dubble-entenders,” he would rather go to the National Winter Garden. “Because here’s where you get burlesque as you like it, without any camouflage—sincere dubble-entenders.”
RELATED LINKS
Dazzle Camouflage: What is it and how did it work? / Nature, Art, and Camouflage / Art, Women's Rights, and Camouflage / Embedded Figures, Art, and Camouflage / Art, Gestalt, and Camouflage / Optical science meets visual art / Disruption versus dazzle / Chicanery and conspicuousness / Under the big top at Sims' circus
