Showing posts with label landscape. Show all posts
Showing posts with label landscape. Show all posts

Friday, April 18, 2025

Jack Frost as master camouflage artist / WWII cartoon

Sorry. I don’t find this terribly funny. Nor interesting. Nor do I know the artist, whose cryptic signature (which I can’t read) is at the bottom left. Dame Nature is the lady on the left (as evidenced by the label), while Jack Frost stands beside her. It was published with the heading THE MASTER CAMOFLEUR [sic, should be camoufleur] in the Divide County Farmers Press and Crosby Review (Crosby ND), November 19, 1943.

RELATED LINKS    

Dazzle Camouflage: What is it and how did it work?Nature, Art, and Camouflage / Art, Women's Rights, and CamouflageEmbedded Figures, Art, and Camouflage / Art, Gestalt, and Camouflage /  Optical science meets visual artDisruption versus dazzle / Chicanery and conspicuousness /  Under the big top at Sims' circus

Friday, July 19, 2024

Thomas Casilear Cole / WWI ship camouflage artist

Thomas Casilear Cole
In the mid-19th century, there was a prominent trend in painting called the Hudson River School, which consisted of a cluster of landscape artists whose work was typically focused on the Hudson River Valley. The style’s founding artist was Thomas Cole (1801-1848), while another prominent member was John William Casilear (1811-1893).

Near the close of the century, when Thomas Casilear Cole (1888-1976) was born in Staatsburg-on-Hudson, he was named in honor of those two well-known painters. He initially studied at Harvard University, but eventually turned to art, in the course of which he studied at the School of the Museum of Fine Arts and Boston, where among his teachers were Edmund Tarbell, Frank Benson, and Philip Hale. In 1912, he studied with Jean Paul Laurens at the Académie Julian in Paris. Over the course of his life, he was primarily known for his portraits.

Of particular interest for the moment is that Cole was a designer of ship camouflage during World War I. An article in the Art Digest (January 15, 1931, p. 13) states that he “served two years in the navy during the World War, designing many of the camouflage patterns that protected American ships.” A biographical entry in Who’s Who in New York (1924 ed.) claims that he was among the “original, and one of the principal designers of naval camouflage in that service.” Elsewhere, he is cited as having been a student at William Andrew Mackay’s camouflage school that had been established in Manhattan during World War I.

In contrast to the prestige of the name(s) with which he was christened, his work has a lack of distinction. So it may not be surprising how little is said of him (two brief sentences) in the Benezit Dictionary of Artists, with no mention of camouflage.

Tuesday, July 4, 2023

artist Alan Collier / whose training was on civvy street

Above Alan Caswell Collier (1911-1990), All Is Green and Gold, 1974, oil on canvas. Collier was a Canadian landscape artist. Born in Toronto, he studied at the Ontario College of Art and the Art Students League, New York. During the final years of World War II, he served in the Canadian Army. The statement below is from an interview of Collier by Paul Bennett, conducted in an exhibition catalog, Retrospective. Oshawa, Ontario CA: Robert McLaughlin Gallery, 1971, pp. 14-15—

When I was drafted into the army they asked me, when they saw my background if I wanted to go into camouflage. I decided that if I wasn't going to be a war artist, with a commission and so on, to hell with it; my training was on Civvy Street and I wasn't going to go in and be a private in the army and do art work as a private. I felt that I wanted something better than that, so I just said no, I did not want to go in the camouflage; I don't regret that I went into artillery survey. 

Tuesday, September 27, 2022

upsidedown reversible embedded and hidden figures

Above A reversible upsidedown drawing with embedded figures, in which George Washington is hidden in the space between his wife and himself. Artist, date and source unknown.

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Robertson Davies in New York Times Book Review, May 12, 1991—

About sixty years ago, I said to my father, “Old Mr. Senex is showing his age; he sometimes talks quite stupidly.” My father replied, “That isn’t age. He’s always been stupid. He’s just losing his ability to conceal it.”

Related Links

Embedded Figures, Art and Camouflage

Revisiting Gottschaldt: Embedded Figures in Art, Architecture and Design

Saturday, September 25, 2021

two boys beneath a coat become a circus elephant

Above Page with text for children from Clarence F. Carroll and Sarah C. Brooks, The Brooks Primer. New York: Appleton, 1906. Public domain.

•••

John Lewis, Heath Robinson: artist and comic genius. New York: Harper and Row, 1973, p. 192—

The repeated use of the camouflage theme in [William] Heath Robinson's Second World War cartoons may have had something to do with the fact that his eldest son Oliver was a Camouflage officer in the British Army. 

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VIDEO LINKS

Nature, Art, and Camouflage  

Art, Women's Rights, and Camouflage

 Embedded Figures, Art, and Camouflage

 Art, Gestalt, and Camouflage

Friday, September 24, 2021