Showing posts with label dazzle painting. Show all posts
Showing posts with label dazzle painting. Show all posts

Monday, December 29, 2025

geological dazzle painting / as in a certain small island

agate pattern
Author and exact source unknown, in Blackwood's Magazine, c1922—

[The appearance of a certain small island] is very remarkable. It consists of a rounded lump of hills, with three or four central conical peaks, seven hundred feet high. The lower parts, all completely barren, are striped. and patched, and barred with a geological "dazzle-painting" in ochre and red, brown, purple, and buff, while the surmounting cones, in strong contrast, are pure white. The whole effect is that of some monstrous pudding, standing on the blue-and-white plate of the sea, over whose apex has been poured (in pre-war days!) a large jug of thick cream.

Thursday, December 11, 2025

striped and splashed and dotted with disruptive colors

unidentified WWI dazzle-painted ship (AI color), c1918
John Dos Passos
, Manhattan Transfer. NYC: Harper and Brothers, 1925, pp. 280-281—

The snub nosed transport sludges slowly through the Narrows in the rain. Sergeant-Major O'Keefe and Private First Class Dutch Robertson stand in the lee of the deckhouse looking at the liners at anchor in quarantine and the low wharf cluttered shores.

"Look some of em still got their warpaint—Shippin Board boats.... Not worth the powder to blow em up."

"The hell they aint," said Joey O'Keefe vaguely. "Gosh little old New York's goin to look good to me.…"

"Me too Sarge, rain or shine I dont care."

They are passing close to a mass of steamers anchored in a block, some of them listing to one side or the other, lanky ships with short funnels, stumpy ships with tall funnels red with rust, some of them striped and splashed and dotted with putty color and blue and green of camouflage paint…

Saturday, August 16, 2025

Norman Wilkinson / UK dazzle camoufleur lives again

British artist / camoufleur Norman Wilkinson
Now here’s an odd discovery: The British artist Norman Wilkinson (we've blogged about him numerous times) is credited as the innovator of what is now commonly known as “dazzle painting,” the use of disruptive geometric designs during World War I for ship camouflage. His usual biographical dates are 1878-1971. Shown above is a portrait photograph from 1911 (restored and AI colorized), in advance of the war, at which time he was working for the Illustrated London News.

Here’s the oddity: On February 16, 1934, an article in the Glasgow Herald stated that—

Mr. Norman Wilkinson, the well-known scenic and poster artist, who died yesterday at his home in London, is perhaps best remembered as the inventor of naval camouflage during the war. For the sake of distinction, it was called “dazzle” painting, and its object was to so distort the normal appearance of a vessel that her actual course became a matter of doubt to an enemy submarine officer intending to torpedo the ship. Earlier forms of camouflage had proved much less successful than “dazzle” painting.…

That announcement of course does not comply with later accounts of Wilkinson’s life, which state that he died in 1971. Fortunately, in a subsequent issue (February 23), the Glasgow Herald said this instead—

We very much regret that in our issue of February 16 we published a paragraph announcing the death in London of Mr. Norman Wilkinson, “the scenic artist,” and remembering the versatility of the celebrated inventor of marine camouflage we assumed from the brief notice of information that it was he who had died. We therefore offer full apology to Mr.Wilkinson for the erroneous report unwittingly circulated and for the confusion and embarrassment inseparable from the addition of his name to the now considerable list of distinguished men who have lived to read their own obituary notices.

Wilkinson, Dazzle Scheme Components (c1917)

RELATED LINKS

Dazzle Camouflage: What is it and how did it work? /  Nature, Art, and Camouflage / Art, Women's Rights, and Camouflage /  Embedded Figures, Art, and Camouflage / Art, Gestalt, and Camouflage /  Optical science meets visual art /  Disruption versus dazzle / Chicanery and conspicuousness /  Under the big top at Sims' circus

Saturday, June 21, 2025

broken figures / the ruling style at present was dazzle

Cover of Jack London's novel (1902)
As we are once again learning at this point in American life, even if something is blatantly false, it can be widely assumed to be true, if it continues to be repeated. Over many decades of researching the history of modern-era camouflage (ship camouflage specifically), I’ve watched as people have increasingly claimed that Americans popularly referred to disruptively-patterned WWI ship camouflage as razzle dazzle.

While it is true that the British called it dazzle or dazzle-painting when they officially adopted that approach in 1917, neither they nor the Americans called it razzle-dazzle. They certainly could have, since the term was in use (in the US) and would have been appropriate, but they chose not to. If anything, the Americans called it baffle painting, in part because they were reluctant to use the term that the British had already chosen. Another proposed American term was jazz painting, but eventually, dazzle won the day.

In earlier posts we’ve talked about the etymology of razzle-dazzle and its relevance to ship camouflage. Two other more recent findings may provide additional help—

First, the term is central to an autobiographical novel, titled The Cruise of the Dazzler, by American writer Jack London (1902). In that novel, the central character named John Barleycorn purchases a sloop named the Dazzler, which is central to the book. At age fifteen, London himself had purchased a comparable boat, called the Razzle Dazzle, with which he harvested oysters to sell to restaurants in the San Francisco Bay. So the term was commonly in use, but far in advance of WWI proposals for wartime ship camouflage.

Second, it may be helpful to quote a passage from a magazine called Clothier and Furnisher (January 1889), which claims that razzle-dazzle was current as American English slang as early as 1886, and suggests that the following passage may be its first use in print—

My confrère, The Chevalier, last month gave a new name to the scarfs of disjointed pattern when he called them the razzle-dazzle. The name was evidently a hit of the most patent character, for in several avenue and Broadway stores the clerks have thrown out a display of broken figures before me and explained that the ruling style at present was the razzle-dazzle, and the word seems to have been equally effective with the public, for when it is quoted by the live salesman, the customer, I am told is at once interested and caught by it.

RELATED LINKS    

Dazzle Camouflage: What is it and how did it work? /  Nature, Art, and Camouflage / Art, Women's Rights, and Camouflage /  Embedded Figures, Art, and Camouflage / Art, Gestalt, and Camouflage /  Optical science meets visual art /  Disruption versus dazzle / Chicanery and conspicuousness /  Under the big top at Sims' circus

Sale-priced books on camouflage / free shipping