Showing posts with label actors. Show all posts
Showing posts with label actors. Show all posts

Saturday, December 20, 2025

khaki-colored dash down the boulevard in Hollywood

Hollywood actor Wallace Reid
Anon, in Picture Magazine (March-July 1918)—

[Hollywood film star] Wallace Reid is busily engaged in studying the art of camouflage so he can paint his new khaki-colored speed demon in such a manner that he can dash down the boulevard without being seen by the ever-watchful eye of the speed cop.

Sunday, December 14, 2025

turnip poses as onion / Buck Henry's mother's mimicry

film lobby poster (1928)
Motion Picture Magazine
, March-July 1918—

[As leading-lady in Jack Spurlock—Prodigal, Hollywood actress Ruth Taylor (1905-1984), star of the original version of Gentleman Prefer Blondes, and mother of comedian Buck Henry] had to eat an onion in one of the scenes, and she begged Director Carl Harbaugh to camouflage a turnip instead. But a "retake" was necessary, and as there had been only one turnip provided, she was obliged to eat an onion. She canceled a dinner engagement for the evening. Now they have a supply of camouflage onions at the Fox studio.

Tuesday, September 2, 2025

Actor James Cagney trained as camoufleur in WWI

James Cagney (1932), film lobby card

Joann Rhetts, A LOOK AT A LEGEND, in The News and Courier (Charleston SC) April 5, 1986, p. 7—

The young James [Cagney, Hollywood film star] had a notion of becoming an artist, even entered Columbia University during World War I under an ROTC-type program as an artist assigned to a military camouflage unit.

RELATED LINKS 

Dazzle Camouflage: What is it and how did it work? /  Nature, Art, and Camouflage / Art, Women's Rights, and Camouflage /  Embedded Figures, Art, and Camouflage / Art, Gestalt, and Camouflage /  Optical science meets visual art /  Disruption versus dazzle / Chicanery and conspicuousness /  Under the big top at Sims' circus

Saturday, August 30, 2025

Glen Gano / US actor, cinematographer, camoufleur

Actor and Hollywood cameraman Glen Gano (1892-1973), born in Kokomo IN, was the cinematographer for four Three Stooges productions: Booby Dupes, Micro-Phonies, Idiots Dulux, and The Yoke’s on Me. But, prior to that, he was also a US Army camoufleur. On January 11, 1918, the Corvallis [OR] Gazette Times included an article titled CAMOUFLAGERS DUE FOR FRANCE VISIT HERE BEFORE DEPARTURE.

Gano, according to the article, “came here from Camp American University [Washington DC] with John F. Byrne… Both soldiers beong to a camouflage corps, Company F of the Twenty-fourth Engineers, who are about to go to France. Private Byrne is a former Carnegie Institute of Technology student and last night entertained [students from that school] at his home…

Showing that psychologists are at work in assigning young men to the positions they are best fitted, Private Byrne…being a [scene] decorator, was assigned to camouflage.

For a wholly different reason, Mr. Gano, who enlisted at Los Angeles, was detailed for camouflage because he was familiar with outdoor photograpy, and was competent to arrange scenes which might easily deceive the German and Austrian expert scouts in the air.

Mr. Gano, in speaking of the reasons impelling him to enlist, said that war could not be more hazardous than going over cliffs in automobiles, lassoing moving locomotives and the like [as he has done as an actor in Hollywood films]. “As a class we want to show the nation that screen actors have more enduring qualities than curly locks, and ‘looking pretty’ in close-ups,” Mr. Gano said. 

According to Wikipedia: “On December 6, 1915, during the filming of an episode of the serial The Hazards of Helen, Gano, reportedly acting as a stunt double for the film's star, suffered what, over the next few days, would be described variously as ‘a fatal fall,’ ‘tragic death,’ ‘injuries from which he will probably die,’ (aka ‘probably fatal injuries’), making an ill-fated leap from the 4th Street Bridge in Los Angeles. Thankfully, reports of his demise proved premature.”

RELATED LINKS

Dazzle Camouflage: What is it and how did it work? /  Nature, Art, and Camouflage / Art, Women's Rights, and Camouflage /  Embedded Figures, Art, and Camouflage / Art, Gestalt, and Camouflage /  Optical science meets visual art /  Disruption versus dazzle / Chicanery and conspicuousness /  Under the big top at Sims' circus


Saturday, July 12, 2025

I can transform anyone into whatever they want to be

Above Cartoon by W.K. Haselden in The Daily Mirror, January 14, 1918.

•••

EDITH HEAD (Hollywood costume designer), as interviewed in The Daily Mirror, November 2, 1970—

Well, I can go back to Mae West or right forward to Paul Newman. I was the first one to put clothes on Mae.

I remember she said to me: “Fit it tight, honey, I want them all to know I’m a girl from every angle.” But it didn’t work with Anita Eckberg.

There was so much of her that kept falling out.

I’m a camouflager. I can transform anyone into anything they want to be.…


•••

camouflage research site map

RELATED LINKS    

Dazzle Camouflage: What is it and how did it work? /  Nature, Art, and Camouflage / Art, Women's Rights, and Camouflage /  Embedded Figures, Art, and Camouflage / Art, Gestalt, and Camouflage /  Optical science meets visual art /  Disruption versus dazzle / Chicanery and conspicuousness /  Under the big top at Sims' circus

Tuesday, June 24, 2025

Charles Hanford applies stagecraft in WWI camouflage

The American promoter and showman Phineas T. Barnum was born in 1810. He was immensely successful and widely known by 1859, the birth year of Charles B. Hanford, who would in time himself become a leading actor in Shakespearean plays. 

Hanford’s middle name was Barnum, not in homage to Phineas T. (although they may have been related) but because Barnum was his mother’s family’s name.

Hanford died in 1926. Near the end of his life (as reported in obituaries), while World War I was ongoing, he collaborated with Thomas A. Edison “in planning methods of camouflage for ships and land operations of the army, his stagecraft lending itself readily to this work.” In earlier blog posts, we've talked about various aspects of Edison's involvement in WWI camouflage.

•••

Anon, CAMOUFLAGE IN CLOTHES PASSES in The Cleveland Press, March 18, 1918—

There’s camouflage in warfare,
But for men whose forms are lean,
In spring styles stores are showing
No camouflage is seen.

“Conserve” is the the edict
Throughout the USA
And that applies to clothing
In quite a funny way.

For tailors have elected,
In making suits this spring,
To make lines they call “skeleton”
The fashionable thing.

Th shoulders have no padding,
The waistline’s pulled in tight,
No bit of cloth unneeded
Is anywhere in sight.

So if you’re thin, flat chested,
Or your shoulder blades are round,
Conceal the fact, you cannot,
To show, it’s surely bound.

But there, don’t look so gloomy,
Just think what you would do
If tailors had decided
To conserve in trousers too.

They might have made it rompers
Like children wear in play.
Or maybe trunks and long hose
Like they wore in Shakespeare’s day.

But we’re not the ones to grumble
When all is said and done,
For we’ll go in Injun blankets
If ’twill help to lick the Hun. 

RELATED LINKS    

Dazzle Camouflage: What is it and how did it work? /  Nature, Art, and Camouflage / Art, Women's Rights, and Camouflage /  Embedded Figures, Art, and Camouflage / Art, Gestalt, and Camouflage /  Optical science meets visual art /  Disruption versus dazzle / Chicanery and conspicuousness /  Under the big top at Sims' circus

Sale-priced books on camouflage / free shipping