Showing posts with label disguise. Show all posts
Showing posts with label disguise. Show all posts

Saturday, March 28, 2026

no more spit and polish / WWI trench mud in your eye

Above Rawley Morgan, "Our Involuntary Disguises" in The London Bystander, March 20, 1918, p, 613.

•••

CAMOUFLAGE TOPIC OF PRESIDIO TALK: Commonest Instance Cited as Clove Eaten by Men Who Go Out Between Acts; MUD HANDIEST IN TRENCH; Captain Gillette Illustrates Fine Points for Student Officers Showing How Shading Is of Great Importance in The Sunday Oregonian (Portland), November 11, 1917, p. 3—

OFFICERS TRAINING CAMP, Presidio of San Francisco, Nov. 10: "Camouflage—a spice known as the clove, largely consumed by men who leave the theater between acts to go and use the telephone."

This is one domestic description of the word camouflage, but it isn't quite the camouflage that is taught for war purposes. The chief ingredients of the camouflage of war, with all due respect to the words of well-known war correspondents like Will Irwin and others, is not paint and artistic ability, but just plain, ordinary mud.

At least such is the declaration of Captain Douglas H. Gillette, Engineer Corps, who recently gave a lecture to the Presidio "officers-to-be" on the subject of camouflage.

Paint is a scarce commodity at the front, and the same is true of burlap and canvas, and when these ingredients are absent the soldier boys find it very easy to do a good camouflaging job by smearing the mud—same mud that is used on football fields in Oregon—over the spokes and caissons of artillery material and otherwise disguising military secrets from the enemy aircraft and other observers.

"It is important, remarked Captain Gillette, "to conceal the heads of the men firing from the trenches."

Trenches Are Obliterated
"There are two ways to conceal heads, and the one chiefly recommended is to obliterate the line of the trenches as much as possible. Daubing the head in mud or dust sounds better to a great many of the student officers, however, for once a man has lost his head his efficiency is greatly curtailed, whereas it is ofttimes possible to recuperate after the loss of a mere trench.

"All camouflage is based on the idea of fooling the enemy by making it appear that what is, is not, and what is not, is. It may apply to a single man or gun or to an entire position. The art is new, but It has been used so extensively that the supply of raffia, from which screens. were made, is exhausted, and they have to use shredded palmetto leaves and Florida moss.

Outlines Broken Up
"If it is sought to hide a battery, the best plan is to break up its outline so it cannot be recognized by enemy airplanes. If a scout is looking for a gun and sees something that looks like a cow he is not likely to boast that he has attained the object of his search. It is a fact that objects are recognized by their shape more than by anything else.

"Things should always be painted dark on top and light below; that is to make shadows look natural. For the same reason painted canvas is sloped at an angle of at least 30 degrees over raised objects. A painted pattern should never be stopped at an edge; it should extend around the corner. Dull colors are best, usually.

"One school of camouflage artists holds that the best way to reduce the visibility of material is by making it look like straw—if it happens to be in a locality where there is straw—or by disguising it as bushes. If there are three or four guns at regular intervals bushes should extend from one to the other; four piles of bushes 30 to 40 feet from each other might enable an airplane scout to penetrate the disguise.

Mud Used Profusely
"Spokes and rims of gun carriages should be spotted with mud. The spots should be irregular and large, as small spots are likely to attract attention. Positions or material may be concealed
by painted canvas or burlap, raffia or wire net, or canvas over wire net. With a bucket of paint and a brush the simplest form of camouflage, painting, may be achieved.

"The armies have taken full advantage of the qualities of wire net. Sometimes miles and miles of road leading to the rear are covered with the net, through which enemy airplanes can see nothing. At times the net extends along the sides of the road.

"When an airplane appears it is a matter of duty and policy for everyone to hide or remain perfectly still. Cartridge cases must never be placed in large piles in these days of scientific war, for the sunlight reflected from their surfaces gives the enemy a guide."

Four Thousand Germans Killed
Captain Gillette points out tho value of concealing even the frontline trenches by a story of a battalion that concealed its position, and, by waiting until the Germans had advanced to within 50 yards of its trench, killed 4000 of the enemy before retreat was possible. The exact line of the parapet should be confusing to the enemy. If it is not, the position may be sighted during the day and heavy damage may be inflicted at night.

Even the entanglements in No Man's Land feel the force of the camouflage idea. Captain Gillette can't understand why they use galvanized wire, which is highly visible and more ex- pensive than that which has not been galvanized. Because wood is more visible than iron, posts that support the wire are of iron.


Saturday, January 17, 2026

Age Camouflagin' / Kin Hubbard talks disguising age

Anon / good place for a painting / Chicago 1889
Abe Martin [Kin Hubbard], SHORT FURROWS, in The Indianapolis News, September 28, 1918, p. 4—

Rev. Wiley Tanger addressed "Th' Serious Thinkers" in Tell Binkley's insurance office, last night, takin' fer his subject, "Age Camouflagin." After garglin' a dipper o' water, he said: "One o' th first things a feller notices after he reaches fifty is how swiftly Saturday night rolls around. He no sooner takes a bath till he begins t' lay out his underwear fer another one. He no sooner shaves th' snow from his chin till it's white agin. Th' weeks an' months an' years dart by like a Chaplin film. He no sooner gits used t' a straw hat with a polka dot band till it's time t' look around fer a rakish green hat. Th' day's gone ferever when he could git by with a youthful face an' sparklin' eyes an' th' time t' camouflage has arrived. Th' never endin' battle agin relentless ole age is on. Th' barber, th' masseur, th' tailor, th' presser an' cleaner, th' shoe maker, th' osteopath an' th' toupee maker must all be drafted int' his service an' he starts forth t' conquer an unseen foe. But why should a feller try t' hide th' fact that he's fifty? Surely ther's room enough on this earth fer people o' fifty! Who's he tryin' t' fool? What's he tryin' t' put over? He has started over th' top an' a talcumed face an' tan spats won't hold him back! A polka dot hat band an' gray hair won't mix!! A peeled gray head an' a green hat only excite comment—speculation!! I don't mean t' say that a feller should begin t' unravel an wither at fifty. If ther's anything I hate t' see worse'n a peeled gray badger in a pinch-back suit, it's a reconciled feller o' sixty sittin' around fumblin' a set o' white whiskers when he ought t' be plowin'. A feller ought t' be tickled t' death t' reach fifty! He ought t' be proud of it!! What I'm drivin' at is that a feller ought t' stay in his class. A toupeed feller kin never look like anything but a restorer ad! Bright colors only emphasize ole age. If you're spared till fifty, take advantage o' ever' moment from then on, but do it leisurely an' gracefully. Don't try t' look like you've been born agin!

"You kin be youthful in spirit without shavin' all th' time an' smellin' like Floridy water!! Talk about th' golden days o' youth!!! What's th' matter with th' diamond studded years beyond fifty? At fifty we should quietly apply th' brakes an' leisurely descend th' slope with seasoned muscles, ripe judgment, shorn of illusions, rich in experience, filled with sweet, memories, grateful fer havin' successfully weathered th' adventurous years o' youth, with a keen appreciation o' ever precious hour an with th' knowledge that ther's no new sensations. Let's stop camouflagin' an' leave th' pinch-back clothes an' zebra shirts t' youth. Let's bathe ever' Saturday as usual, but let's not worry about our chins bein' white. We've had our fling at lady killin' so let's sober down an' resolve not t' drain our reserve tanks chasin' after a procession that's only headed fer where we already are."

Friday, January 16, 2026

camouflaged dummies as artists' wartime specialty

soldiers placing decoys / artist unknown
CAMOUFLAGE—THE ARTISTS' BIT IN THE WAR
in Oregon Daily Journal (Portland), August 18, 1917—

One of the interesting developments of the world war is the art of "camouflage," wherein artists excel. Camouflage is accomplished in a variety of ways, the general Idea being to deceive the enemy—to make him think he sees something that he doesn't see, or to make him see something he thinks he doesn't.

It is a trick in which nature excels, the wily opossum and the chameleon and its coat of changeable hue being probably the best known examples. The marking on the wings of a butterfly, the shaping of insects like leaves, the coloring of the sage hen to blend with the sagebrush, are but a few of the natural demonstrations of the principle of camouflage.

In warfare, thrusting above a trench a helmet stuck on a bayonet to draw enemy fire is a crude example. Raiders carry a dummy smokestack to hide their identity, submarines carry fake periscopes, etc.

Getting down to the finer points of the game, and this is where the artists come in, waves and foam are painted on a warship to deceive the enemy as to the ship's waterline, and the "tank" is so painted that at a comparatively short distance it merges with the landscape and is hard to distinguish.

The French and English have even gone so far as to stretch canvas upright to a height of several feet, and to paint trees, shrubbery and landscape on it, so that to the enemy it will look like the edge of a woods. Behind this curtain, then, like stage hands passing behind the back drop on a stage, thousands of troops have marched to new positions. To fool enemy airmen, canvas stretched like a canopy over a roadway is painted to blend with the surrounding field, while soldiers march beneath It, or it ls painted to represent a road over which the enemy will keep lookout for troops while the troops march elsewhere.

And so on. Camouflage is really playing an important part in strategy of campaigning, and the United States army war department has so recognized it as to put artists at the large training camps to teach the art, and painters and decorators are enlisting in special camouflage branches of the service. The illustration above shows troops placing "dummy" soldiers in position to draw enemy fire, and [below] is a camouflaged "Yankee" [a dummy made of papier maché, before being painted]…

Sunday, December 14, 2025

popular fallacy about football / aka pigskin camouflage

image source
Lawrence M. Guyer
, Football Camouflage, in Boys' Life (November 1929), p. 16—

"Now, gentlemen," he continued, "I have only a few more words in conclusion of this lecture. I wish to speak for a moment regarding the popular fallacy connected with camouflage. There is a widespread belief that camouflage means to conceal, to hide, to absolutely remove an object from the enemy's view. That, of course, is not at all true. Camouflage means rather to disguise the object in such a way that the enemy is misled. Deception is the end thus to be attained."

Thursday, November 27, 2025

familiar examples of camouflage in modern motordom

Monte Sohn
 [later inventor of Borden's trademark Elsie the Cow], in the Washington Times. Saturday, September 1, 1917, Final Edition, p. 6—

Camouflage? Pish! Motorists have known it for years. For almost a dozen calendars, owners of cars have camouflaged license numbers before invading hostile territory in which the wily robber baron had his speed trap by the simple—as the writers say—expedient of sprinkling it with oil. Mrs. Nature, aided by the dust of the road, did the rest.

Then there are the pietry cutouts they slip on small cars which makes the veriest purr sound like the evening ensemble on the western front.

Special bodies have contributed much to the scheme of camouflage as motordom has known it. Some of these most effectually disguise a car. One particular body, with a pointed radiator and bright brass fittings makes a light car look exactly like a Ford.

Goggles. Are they not splendid camouflage!

And who would suspect that a motorcycle with a lady on the rear would have a country bull with a star on his suspenders riding on the front seat?

Camouflage!

Very ancient stuff.


RELATED LINKS 

Dazzle Camouflage: What is it and how did it work? /  Nature, Art, and Camouflage / Art, Women's Rights, and Camouflage /  Embedded Figures, Art, and Camouflage / Art, Gestalt, and Camouflage /  Optical science meets visual art /  Disruption versus dazzle / Chicanery and conspicuousness /  Under the big top at Sims' circus

Native American camouflage / hidden in animal skins

Above
Engraving by Dutch publisher Theodor de Bry (1591), based on a drawing by French artist Jacques LeMoyne de Morgues (c. 1533-1588), made during explorations of what is now Florida in the 1560s. It documents the use of animal skins for disguise, as described below by LeMoyne.

The Indians hunt deer in a way we have never seen before. They hide themselves in the skin of a very large deer which they have killed some time before. They place the animal's head upon their own head, looking through the eye holes as through a mask. In this disguise they approach the deer without frightening them. They choose the time when the animals come to drink at the river, shooting them easily with bow and arrow.

Tuesday, September 2, 2025

dieting is on the way out and camouflage is coming in

Above
The inverse of weight reduction by camouflage: A progression of photographs showing the stage make-up applied to an actor by British artist Cavendish Morton for the portrayal of Falstaff. Below are comparable make-up progressions for King Lear and Don Quixote.

•••

Anon, DIET IS GOING OUT, CAMOUFLAGE COMING IN, SAYS MODERN SYSTEM in Omaha Daily Bee (Omaha NE) November 27, 1917, p. 9—

The value of camouflage is spreading like wildfire in all directions, and there is almost nothing you won’t be able to do with it, when it has been throughly applied.

At the style review in Chicago, Mme Le Mar is instructing women how to disguise themselves so that they may have double chins that won’t show. And if you don’t look as if you had a double chin, you might as well have as many as are comfortable. A little science in the way you dress and hold your head will give the optical illusion of a perfect outline at the throat.

Diet is going out. The really modern system is camouflage.

RELATED LINKS

Dazzle Camouflage: What is it and how did it work? /  Nature, Art, and Camouflage / Art, Women's Rights, and Camouflage /  Embedded Figures, Art, and Camouflage / Art, Gestalt, and Camouflage /  Optical science meets visual art /  Disruption versus dazzle / Chicanery and conspicuousness /  Under the big top at Sims' circus



Monday, August 4, 2025

boot leggings used literally in camouflaging bootleg

boot leg (1922)
BOOTLEGGERS CAMOUFLAGE TALK NO MORE in El Paso Herald (El Paso TX), August 12, 1922, p. 35—

It used to be that the bootleggers camouflaged their sales talks over the telephone.

They would inquire if the customer would like some fresh Scotch Salad, rye bread or Bourbon apples. Of late, they are growIng careless.

They speak rIght out and call a spade a spade—whiskey is whiskey and gin is gin.

The nerviest bootlegger, however, is one who called up a business man the other day and said he wanted to show a sample.

He carried the bottle, a portable little stand, a carafe of cracked ice and a glass, in a brief case.

And he presented his card, telephone number and address—with the price list printed plainly on the back.  

RELATED LINKS

Dazzle Camouflage: What is it and how did it work? /  Nature, Art, and Camouflage / Art, Women's Rights, and Camouflage /  Embedded Figures, Art, and Camouflage / Art, Gestalt, and Camouflage /  Optical science meets visual art /  Disruption versus dazzle / Chicanery and conspicuousness /  Under the big top at Sims' circus

camouflaging moonshine color to resemble bourbon

old bottle found at Gettysburg
CAMOUFLAGE ARTIST RUNS AFOUL DRY LAW in The Courier-Jounal (Louisville KY), February 15, 1922, p. 2—

Lexington KY—Sam Wilcox is an artist, the officers say, but his talent had gotten him into a peck of trouble.

Wilson’s art has been directed into “illegal” channels, according to the warrant issued by prohibition agents, who arrested him at his home at Corinth KY.

Some of his work will be exhibited to the Federal Commission at his examing trial February 20.

He is accused of having offered his services and a preparation for coloring moonshine whiskey to look like old Bourbon.

RELATED LINKS

Dazzle Camouflage: What is it and how did it work? /  Nature, Art, and Camouflage / Art, Women's Rights, and Camouflage /  Embedded Figures, Art, and Camouflage / Art, Gestalt, and Camouflage /  Optical science meets visual art /  Disruption versus dazzle / Chicanery and conspicuousness /  Under the big top at Sims' circus

 

online site links

Saturday, July 12, 2025

I can transform anyone into whatever they want to be

Above Cartoon by W.K. Haselden in The Daily Mirror, January 14, 1918.

•••

EDITH HEAD (Hollywood costume designer), as interviewed in The Daily Mirror, November 2, 1970—

Well, I can go back to Mae West or right forward to Paul Newman. I was the first one to put clothes on Mae.

I remember she said to me: “Fit it tight, honey, I want them all to know I’m a girl from every angle.” But it didn’t work with Anita Eckberg.

There was so much of her that kept falling out.

I’m a camouflager. I can transform anyone into anything they want to be.…


•••

camouflage research site map

RELATED LINKS    

Dazzle Camouflage: What is it and how did it work? /  Nature, Art, and Camouflage / Art, Women's Rights, and Camouflage /  Embedded Figures, Art, and Camouflage / Art, Gestalt, and Camouflage /  Optical science meets visual art /  Disruption versus dazzle / Chicanery and conspicuousness /  Under the big top at Sims' circus

Monday, July 7, 2025

Mrs Johnson / most artistic camoufleur in Omaha NE

Above Members of the American Womens Camouflage Corps in the process of applying a camouflage scheme (for fundraising purposes) on the wall of theatre in Times Square NYC, c1918.

•••

TALE OF FAITHFUL HOUSEMAID. This “Perfect Jewel” Won Admiration on Every Side. WAS PRIZE COVETED BY ALL, in Omaha Daily Bee (Omaha NE) July 18, 1918, p. 1—

Because of the humiliating nature of the tragedy which occurred, and because, too, this is a story of camouflage, it is both wise and necessary that the heroine of this tale be called, for convenience, Mrs. Johnson—there are more Johnsons in the city directory than any others.

This Mrs. Johnson lives in that vague and extensive district embraced in the West Farnam neighborhood. For the last year she has been envied—wholeheartedly envied by all of her feminine neighbors.

She possessed that rara avis known as a faithful maid. The maid in question was Titian haired, very much so, wore green goggles and a rather striking though indefinite individuality. Every morning, when her mistress was supposed to be enjoying her “beauty sleep” the maid would appear and sweep off the porch, dust the porch furniture, and when occasion demanded would scrub the woodwork and the windows. She was industrious, painstaking and painfully neat—a perfect pearl of a servant. It was noticeable, too, that during other hours of the day she tactfully obliterated herself from public view, supposedly devoting herself to duties in the kitchen and chambers where she unobtrusively slaved from early dawn to dark.

Neighbors plotted and planned to make the acquaintance of this ne plus ultra of servants, some, it must be confessed, with ulterior and selfish motives of luring her away from her mistress by any kind of blandishment or strategy that could be employed.

But she was as evasive as the fabled  Irishman's flea. Nevertheless, her fame became great in the neighborhood and grew on the element of mystery of her complete isolation after the outdoor work was performed,

All other maids and servants in the neighborhood were abjured by their several mistresses to model their energies and devotion along the lines of Mrs. Johnson's “jewel.”

One fateful day last week the tragedy occurred which wrecked an idol.

The mysterious servant was at work washing a window at Mrs. Johnson’s home. As usual she was the cynosure of many covetous eyes. She worked silently, albeit blithely, when suddenly she lost her equilibrium and for a moment it seemed she would fall from her perch to the ground with a dull, sickening thud.

Frantically she tried to recover her balance and save herself from a fall. She threw up her arms and as she did so she scalped herself completely and tore the green spectacles from her optics. There, to the affrighted onlookers, was revealed Mrs. Johnson minus a red wig and the disguise of green eye shades—a perfect jewel of a maid no longer, but her own sweet and efficient self.

The neighbors were slhocked. by the revelation, but what she lost in prestige as a maid Mrs. Johnson has gained in the reputation of being the most artistic camouflager in Omaha.

RELATED LINKS    

Dazzle Camouflage: What is it and how did it work? /  Nature, Art, and Camouflage / Art, Women's Rights, and Camouflage /  Embedded Figures, Art, and Camouflage / Art, Gestalt, and Camouflage /  Optical science meets visual art /  Disruption versus dazzle / Chicanery and conspicuousness /  Under the big top at Sims' circus

Art, Women's Rights and Camouflage

 

Saturday, June 28, 2025

comical British camouflaged shooting jackets in 1894

suggested shooting jackets
Above This is a Victorian-era cartoon (most likely British), published in 1894, artist and source publication unknown. The heading on the original was Comic Pictures, with a subtitle of Some Suggestions for Shooting Jackets. It has no direct connection to the article that follows below in this blog.

•••

CAMOUFLAGE IS JUST GOOD OLD BLUFF APPLIED TO WAR TACTICS: The Greeks and Their Wooden Horse Originated It, the French Developed It and the Yanks Excel at it, in Salt Lake Herald-Republican-Telegram, April 28, 1918, p. 10—

Some folk will take you clear back to the wooden horse of Troy for the origin of camouflage, and still others insist that it was first used somewhere beyond that. Then there are those who contend that it was first used in this, the Great World War.

We do know of instances where camouflage was used in the fairly ancient history of our own country, as a country or colony, and we are fairly well up on the methods of utilizing it now that it has passed through its comic supplement stage and all the comic artists have had their go at it.

The country is taking it in its serious aspect and the war department is encouraging the best thought which can be concentrated on the subject.

It has been said by teachers of the art that camouflage, simmered down and stripped of its glamor, is nothing other than the good old peacetime game of bluff applied to war tactics. If it be that, then who shall excel the American at it?

CAMOUFLAGE FOR 'ALL
In the accompanying illustration are shown only a few of the many, many means of utilizing the art in land warfare. There are countless other tricks on land and more being used in sea fighting and air battles.

The camouflaged road Is the result of hanging boughs and brown cloth drapes over a road as flies hang over a stage. Troop movements may be made over such a road in comparative safety. The big French gun In Flanders pictured here is painted so as to harmonize with a wooded background. The oddly striped tree climber may hide without great risk of being seen by aviators of the enemy, in a tree top while he does sniping or observation work. The papier mache horse being used as an intelligence or listening station appears to the enemy as a horse carcass, not a sight to arrouse suspicion in No Man's Land.

Then there is the camouflage of so wrapping a man that he appears to be a tree stump.

ABSENCE COST LIVES
The olive drab and khaki uniforms worn by our fighting men today are the outgrowth of the costly absence of camouflage ln the past. The blue uniforms worn in the Civil War were so much in contrast with any surroundings the soldiers might lave that the boys of the South could find their marks readily. And the gray of the Southern troops was little better. Both were infinitely more serviceable, however, than the bright red uniforms worn in earlier wars by the British.

Braddock's famous defeat by the Indians may be traced to the shining targets offered by the scarlet uniforms of Braddock's men for the arrows of the Indians, while the slim, brown figures of the natives blended so harmoniously with the tree trunks, the ground and the underbrush that the Britons could scarcely see where they were.

In the East have sprung up, since the war sucked the United States into itself, numerous schools for camoufleurs with official and semi-official training forces. Artists are going into the work with enthusiasm.

JUNGLE ITS ORIGIN
The American Institute of New York is beginning next month a series of lectures to engineers and painters on "Camouflage as an Aid to Modern Warfare." Lieutenant H. Ledyard Towle of the Seventy-First NYG machine gun company, an expert camoufleur and an artist and painter of some note, is to deliver the Ieclures.

In a lecture recently before New York artists, Lieutenant Towle sald:

"The Lord knows more about camouflage than any of us amateurs. Consider the lion and his tawny mane. In repose he Is a tiny undulation on the sunburnt clap; the zebra, with his stripes, lost in the shadow of the tall grasses: the leopard, with his spots, crouched for a spring amid the sun flecked leaves of a tree, who would suspect his presence? Isn't it astonishing that with such examples of the value of protective colors that we have done so little to develop the idea? The chameleon gives us the art perfectly demonstrated."

The French made the first effective use of camouflage in this war. They were the first to see that its results warranted specialization in it. After the Germans were turned back at the Marne and the lines of opposing trenches stretched themselves from the sea to the Swiss border, the fight in the west theatre resolved itself into a standoff as far as actual fighting was concerned, and the battle became one of wits. Fool the other fellow and victory was yours.

FRENCH WERE FIRST
The French withdrew from the fighting ranks artists, painters, metal workers, photographers, architects and engineers. A special corps of camoufleurs was formed. Their work has been marvelous.

The camoufleur's art has reached its apex in No Man's Land. The toe of a dead soldier's boot may house tho eye of a periscope and from the boot to a trench may run the tunnel through which the observer communicates. An old post, left standing after the wire entanglement it supported has been shot away, may have a periscope eye and a tunnel. A limp form in the uniform of a soldier enmeshed in the wire may lure comrades out to bring It in. And when they touch it they may set off a bomb which ends their quest—and their days.

The first company of American camoufleurs is encamped just outside Washington and volunteers and drafted men aro being sent there weekly from all parts of the country.

To use the words of Lieutenant Towle again:

"If the wit and technical cleverness of a few men can be the large factor in saving a regiment, then the time and trouble taken in the process of training for camouflage will have been well spent." 

RELATED LINKS    

Dazzle Camouflage: What is it and how did it work? /  Nature, Art, and Camouflage / Art, Women's Rights, and Camouflage /  Embedded Figures, Art, and Camouflage / Art, Gestalt, and Camouflage /  Optical science meets visual art /  Disruption versus dazzle / Chicanery and conspicuousness /  Under the big top at Sims' circus

Sale-priced books on camouflage / free shipping

Monday, June 23, 2025

circumvent the heat by disguising oneself as a julep

Above Roy R. Behrens, from a series of digital montages, produced during the COVID pandemic. Copyright © the artist. Online here.

•••

O. Harvey, KNOW WHAT CAMO[U]FLAGE IS? WELL, THEN, HERE’S THE ANSWER, in The Telegram’s Daily Magazine, Salt Lake Telegram, September 8, 1917, p. 5—

I have decided to write a piece for the paper about a word that is not in the dictionary.

I get so reckless sometimes I don't care what I do.

Therefore I shall write a piece.

Old Man Webster knew a lot, but he didn't reckon on the war. You can read his well known books till you sprain an eye, but you won't see the word "Camouflage."

I don't know why, but it is so.

Camouflage is a bilking Industry with the libretto and music written by the French. The theory is to swindle the Germans' eyes. The Frenchmen cover themselves with a lot of leaves. They get the idea from Adam and Eve—but they don't pay any royalty on it.

After he is camouflaged up in a set of form fitting leaves, the Frenchman ankles off for a short vegetarian stroll toward the Kaiser's trenches. Some husky Boche tosses his optic toward him, but figures him out for a rhododendron bush rehearsing for a tableau vivant. First thing he knows, the rhododendron bush goes Democratic and poor old Hans is listed among the slightly killed, totally wounded or partially missing.

The idea of camouflage is to gyp the enemy. Give him one five for two tens. You heard about the cowboy who called on his best girl and found her bivouacking in another cowboy's lap. He pulled out his .45 caliber revolver to shoot the beauty spot off her false, deceiving chin, when she looks at him like page 256 in any of Ouida's novels.

"Do you believe your dearie, or do you believe your eyes?" she piped.

The poor fish believed his dearie, and they got married and lived snappily ever after. She had that fool cowboy all camouflaged up, with her metropolitan tongue and city ways.

Still, camouflage is no novelty among the unfair sex. A flapper will high heel along the macadamized turf, all ambushed up in a swarm of Dior Kiss. She will have a gang of summer furs lurking on her shoulders and a mob of paint, powder and other beauty utensils loitering on her face. She will have a complexion fairer than a supreme court decision. But when she gets home and starts to camouflage she puts on ten years for everything she takes off. She has one of those removable complexions. By the time that she has moulted her blonde hair, shed her automatic teeth and discarded her mechanical eye, she is older than hieroglyphics, and gaining every lap.

She has one of those folding complexions that you can carry in your handbag. The French have no monopoly on that camouflage institution.

Under the modern regime of beauty camouflage, everything about a woman's complexion Is detachable except her ears.

There are different branches of study In the camouflage curriculum. In Washington the senators have oratorical camouflage down to a science. Their specialty is painting word pictures, using their chin as a brush. There isn't a battle that the senate can't win with a few maxillary calisthenics. Rhetorical camouflage is great stuff, but you can't bridge the ocean with a pontoon of words. Any union senator with his vocal camouflagers on can build a fleet in three paragraphs or raise an army with a few chin excursions. Aesop's jackass had the camouflage Idea when he attended the zoo bal masque wearing the lion's coat and vest, but a few chirps of his fool mule tongue gummed his camouflage.

The gent who disguises himself behind a camouflage of women's skirts in order to escape military service to smaller than the Republican vote In Alabama. A guy that little can ambush himself behind a canceled postage stamp. The slackers are utilizing a camouflage of women's skirts, dependent relatives, conscientious objections, flat feet, weak heart and weaker knees. Which Is a camouflage that falls to camouflage by quite a few flages. And a culprit who tries to hide behind a woman's petticoats would have to pass his career in a bureau drawer. That's where the ladies are wearing their pettyskirts. We read the Delineator.

The paramount idea of camouflage is to create an aura of low visibility which will enable you to ramble around in safety. The chameleon has the right idea, and one that might be elaborated. For instance, a bill collector would never find you if you were camouflaged as a waste basket. All the props you need for this ambush is a loose wicker basket and a hat made of old newspapers, vacant letters and unraveled souvenir postcards. You can circumvent the heat by camouflaging yourself as a mint julep. With enough practice you can become a perfect julep. Even your wife will be unable to detect the difference on your breath.

Peace hath her camouflages as well as war. With a lIttle cranial dexterity and a few cerebral gymnastics, camouflaging can be utilized to alleviate the inconveniences of civilization.

There will be a camouflage for every ill.

Of course, in the case of a poor henpecked husband, we can paint no disguise with a brush.

The only camouflage will is distance. And you will have to paint that with your heels. 

RELATED LINKS    

Dazzle Camouflage: What is it and how did it work? /  Nature, Art, and Camouflage / Art, Women's Rights, and Camouflage /  Embedded Figures, Art, and Camouflage / Art, Gestalt, and Camouflage /  Optical science meets visual art /  Disruption versus dazzle / Chicanery and conspicuousness /  Under the big top at Sims' circus

Sale-priced books on camouflage / free shipping

 

 

Sunday, June 22, 2025

women are expert camoufleurs / it is their middle name

Cartoon, Fay King 1918
CAMOUFLAGE IS MIDDLE NAME OF WOMAN: EXPERIENCED IN KEEPING WILLIE ‘HALF-FARE’: IF SHE CAN PAINT RED CRAWFISH ON PLATTERS, CLOUDS WOULD COME EASY


by Fay King, San Francisco Examiner, May 20, 1918

In my humble opinion, if there is one branch of the service that we women oughta excell in it’s CAMOUFLAGE.

If I had my way I’d give every woman a job in the camouflage department, and is she’s over forty she’s a master of the art.

Figure it out for yourself. A perfect forty-eight has been looking like a perfect thirty-six for centuries.

Give any woman three days’ notice and a good dressmaker and she can be hippy or hippless, according to fashion’s decree. She can look like Mrs. Vernon Castle or Maxine Elliott or whoever happens to be the most copied at the time, even if she has a face as hilly as San Francisco.

The wife of a small salaried man has long camouflaged as the wife of a steel magnate.

She can make a table full of dishes look like a square meal. Can you imagine what a cinch she’d have making a battleship look like a bucket?

Camouflage is woman’s middle name—why not make it her “bit”?

SURELY her experience at keeping Willie looking like a half-fare is proof enough of her success.

A lip stick and a powder puff have won many a husband for a clever woman. She could certainly win a war with a barrel of paint and a ton of powder.

She’s been painting red crawfish so long on platters and buttercups on butter dishes, she’d not have the slightest difficulty in designing storm clouds on ship masts, waves on battle-boats and daisies on the nose of a cannon.

RELATED LINKS    

Dazzle Camouflage: What is it and how did it work? /  Nature, Art, and Camouflage / Art, Women's Rights, and Camouflage /  Embedded Figures, Art, and Camouflage / Art, Gestalt, and Camouflage /  Optical science meets visual art /  Disruption versus dazzle / Chicanery and conspicuousness /  Under the big top at Sims' circus

Sale-priced books on camouflage / free shipping

 


WWI swimsuit camouflage / latest fashion clothing fad


RELATED LINKS    

Dazzle Camouflage: What is it and how did it work? /  Nature, Art, and Camouflage / Art, Women's Rights, and Camouflage /  Embedded Figures, Art, and Camouflage / Art, Gestalt, and Camouflage /  Optical science meets visual art /  Disruption versus dazzle / Chicanery and conspicuousness /  Under the big top at Sims' circus

Sale-priced books on camouflage / free shipping