Above Herbert V. Hake (1903-1980) was a well-known faculty member who taught scenic design in the theatre department at
Iowa State Teachers College (now University of Northern Iowa) in Cedar Falls. He was also a pioneering contributor to radio and television broadcasting, a writer, and a cartoonist. Using his cartoons, he gave amusing, informative “
chalk talks” on various topics, including local history. In 1968, he published
A Cartoon History of Iowa, in which (as is common in chalk talks) he drew comic figures which, by adding a few select details, were transformed into different things. Shown above is one of those drawing sequences, in which he begins with what appears to be a meaningless drawing on the left, while on the right it turns into an upsidedown portrait (made of potatoes, wheat and corn) of
Tama Jim (US Secretary of Agriculture
James Wilson). Below is the same drawing viewed upsidedown, which some people may mistake for
Mister Potato Head.
•••
Roy Moulton, LEM EXTEMPORIZES ON CAMOUFLAGE IN BIG BURG in The Boston Post, May 17, 1918—
Somewhere in New York.
Dear Folks—Old Man Camouf or whoever it was in France who invented camouflage, started something. Maybe M. Camouf knew what he was doing, but I doubt it.
It has spread over this town like a pest of locusts. Of all conditions attendant upon the war and which have been gently wafted across the pond as a direct result of war, camouflage is the most generally in the limelight.
It is being used for purposes never intended by its inventor.
After the New York people forget all about the war they will remember the wave of camouflage which attended it.
Not New to the Ladies
Not that camouflage is anything new. Of course not. There's nothing new under the sun. Men
were practicing camouflage long before this war and the ladies, too, bless 'em, but they didn’t know what they were doing. It took M. Camouf to come along and tell them and to name the art after himself. Maybe he is proud of it.
The first waiter in the world who used the first "dicky" shirt front, practiced camouflage, although he didn't know what he was doing at the time. Then there were the Ascot ties, which effectually concealed the absence of a shirt; then the cuffs, which could be cleverly fastened inside the coat sleeves. In fact there were a million just such contrivances before M. Camouf came along.
When M. Camouf invented his famous art, he meant it merely to cover military appurtenances. By the use of camouflage, a Ford could be made to look like a mere garbage can, sitting serenely on the landscape and minding its own business. A large gun could be made to look like a shock of corn. A soldier could be made to look like a pacifist, etc. So far, so good.
But, during its journey aross the ocean, M. Camouf's art became inflated with its own importance and enlarged its scope. In France it confined itseif to the military. In America it confined itself to nothing.
It spread out like a fan covering every phase of human life and every form of human endeavor. It covered art, letters, religion, politics, society and vers libre. It stopped at nothing.
It was imbued with the spirit of liberty as soon as it struck the land of the free and when it started cutting up it didn't know when to stop. It is going yet.
35-Cent Dog Sells for $600
Just the other day on Broadway a man took a 35-cent mongrel pup that he had found shivering behind an ash barrel, put a $7 blanket on him with “Prince" embroidered in gold letters, and sold the dog to an actress for $600 as a genuine Norwegian fish-hound. That shows what M. Camouf's art can do with the aid of American genius.
A $15-a-week telephone adJuster thought he would like to be a French marquis. So he dressed up like two or three French marquises and borrowed about $100,000. He tried to borrow $50,000,000 from J. P. Morgan & Co. and nearly got away with it.
By the aid of M. Camouf's gentle art, cabaret managers have been able to paim off genuine East Side Hawaiian dancers on an unsuspecting public. The shredded wheat skirts and the brown stain for the skin and the trick is done. In these cases even old M. Camouf, himself, would be hoodwinked.
I don't know of anybody in this village who has the art of camouflage down finer than my old friend Hank Stevens. He is in reality 95 per cent camouflage and 1 per cent Hank. He can take a
$9 bank roll and make it look like a Belgium indemnity. He seems to have a natural affection for money which expresses itself eloquently in his unwillingness to part with any of it, even
under the most favorable circumstances.
Why Hank Gets Nervous
I have never seen Hank when he had not been laboring under a terrific nervous strain. Something has always just happened to him. He has either just lost a tremendous sum of money on the curb or somebody has wished a couple of maiden aunts on him for life.
Accidents of this sort befall him so rapidly that he never has time to get to work at a regular job. It is natural for those who feel sorry for Hank to do something to express their sympathy. They either feed him a good dollar table d'hote lunch or buy him a few internal applications over the mahogany.
I will never forget the first time I met Hank. I thought he was the saddest looking man I had ever seen. He was hanging over the edge of the mahogany like an umbrella somebody had left, down near the dried herring and clove dish. I had been introduced to him by a mutual friend who suddenly found something to do up in the other end of town.
"I am shad, tonight,” said Hank, by way of opening the conversation.
"That sounds fishy," I said, in my well-known jugular vein.
"No, it's no joke," said Hank. "I am shad. I had a great shorrow. I've had a lotta trouble."
I immediately felt sorry for Hank and bought him a 23-cent present. He cheered up for a moment but soon suffered a relapse which called for another treatment.
"It's tough," he said. "Gosh, I’m blue tonight. I buried the best uncle I ever had—21 years ago and I never got over it."
Hank began to weep and I stole quietly away and left him. At the door I met another friend, who asked: "Who has Hank lost now?”
"His favorite uncle,” I said.
"You must be a beginner with Hank," said the friend."He tossed me that favorite uncle over three years ago. Since then he has used up five aunts, seven cousins and at least 11 grandparents on me. If Hank ever runs out of deceased relatives, I figure I will save a lot of money. But he probably never will. He tells me his family came over In the Mayflower and he can trace them back to the 14th century.”
He Likes Athletics
Hank was the original little office boy who had a grandmother die every time there was a game out at the Polo Grounds.
Another sort of camoufleur is my friend Pete Henkle, Pete is the best-dressed man in New York and he does it all on one suit of clothes. I never got a note from Pete in my life, which was not written on Ritz or Waldorf stationery and if Pete ever had $4 at one time in his career as a Broadway ornament none of his friends ever knew it. He has been known to have $2.67 at one time or even perhaps $3.98, but never more. He can give the best imitation of Vincent Astor I have ever seen.
Pete has always just had a great stroke of luck. Either somebody has just met him in the Biltmore and handed him a check for $8,000,000, or he has just invented a patent submarine torpedo catcher and sold it to the government for a cool billion. If he is not organizing a billion dollar corporation to take over the potash mines or Guatemala, he is organizing a company to build a railroad from Rio de Janeiro to the City of Mexico. He never knows exactly where he is going to sleep that night, but wherever he does sleep, he dreams tremendous dreams.
His engraved calling cards are wonders. "Peter Stuyvesant Henkle, broker,” is what they say, and when he presents them at the desk in the Waldorf and asks to have Senator James Frothingham Frisby paged, he arouses a good deal of sincere admiration.
It is his habit to rush Into the St. Regis or the Gotham and ask if the Punjab of Afghanistan is
stopping there, and has inquired for him. Pete never misses a meal nor a night's sleep and he hasn't had a pay envelope placed in his hands since he was 13 years old. If a general shake down of all the citizens of New York were ordered suddenly to meet some great emergency, Pete would assay one suit of clothes, a pair of cuff links and, in his more prosperous moments, perhaps $1.76 in real money.
His High Marks
He has been interviewed at variousi times as "the last man who talked with the late President Diaz of Mexico,” "one of the few survivors of the Messina disaster," "an eye witness of the Black Tom explosion" and “the only man who ever interviewed the Grand Lama of Tibet."
Last week he started out bright and early Monday morning to pose as a personal friend of the late Abduli Hamid until some kind friend told him what was liable to happen to him and he desisted.
Pete quotes his friends freely, from General Joffre to former President Castro of Venezuela, and generally gets away with it.
Camouflage covers this village like a pall, from the imitation Russian marmot overcoats of Washington Heights to the bone-rimmed glasses and long hair of Greenwich Village and
the “genuine" Vermont maple syrup made on South Water Street, Chicago.
When ladies of 60 pass for 16 with their short skirts and cute hair and venerable old gentlemen of 70 get by as 35, with their toupées and raven-black mustaches and cigarettes, well may we
say that M. Camouf started something. Even if he didn't start it, he gave it a name, so he is partly responsible.
Even the financial reports are camouflaged. They tell us there is plenty of money in this country.
Sure there is, but somebody has got all of it.
Hoping you are the same, I remain,
Yours
LEM
