Since early childhood, I have known about Casper the Friendly Ghost, a cartoon character who first appeared in comic books in the late 1940s. But it may have been forty years later that I learned about Seymour Reit (1918-2001), the American animator and children's book author who may (or may not, since there has long been some dispute) have been the person who came up with Casper's character.
As an adult, although Reit was short (he was five foot four), he was larger than life in terms of all his accomplishments. He began his career as an animator for the famous Fleischer Brothers, and in his final decades he was a prolific contributor to MAD Magazine. But that is the tip of the iceberg: as a writer or cartoonist, he was also affiliated with Will Eisner, Archie, Little Lulu, Gulliver's Travels, Popeye, Betty Boop, and Captain Kangaroo.
But he also had two wartime links: First, he was born in New York on Armistice Day on November 11, 1918, the day that marked the ending of World War One, with the result that his parents named him Seymour Victory Reit. And then, when the US entered World War Two, he enlisted in the Army Air Force as a lieutenant, and served as a camoufleur.
I suspect that I first heard about Reit in 1978, when I ran across a copy of a book that he had written, titled Masquerade: the amazing camouflage deceptions of World War II (New York: Hawthorn Books). At the time, I had been researching and writing about art and camouflage for about a decade, and his book was enormously helpful in learning about the varieties of deception in World War Two. It is still of considerable value, even though quite a few other volumes on the same subject have more recently been produced.
NOTE: For more on cartooning, animation, shapeshifting, metamorphosis and camouflage, see this online video talk.
RELATED LINKS
Dazzle Camouflage: What is it and how did it work? / Nature, Art, and Camouflage / Art, Women's Rights, and Camouflage / Embedded Figures, Art, and Camouflage / Art, Gestalt, and Camouflage / Optical science meets visual art / Disruption versus dazzle / Chicanery and conspicuousness /
