Above One of ninety posters designed by graphic design students at the University of Northern Iowa, to advertise an upcoming talk on WWI ship camouflage by RISD scholar Claudia Covert. This is one of three posters designed by Stephanie Mathena. Copyright © 2012 by the designer. All rights reserved.
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Arthur Guiterman, “Camouflage” published originally in Life magazine, then reprinted in the Iron Country Record (Cedar City UT), January 11, 1918, p. 2—
What’s Camouflage?—The juggler’s trade;
Delusion, glamour, masquerade;
The mummer’s artifice, designed
To make the Sense betray the Mind;
The tint of rouge, the scent that clings,
The curl that grew not where it swings,
The touch that thrills the blood of man,
The soft, shy glance behind the fan;
The sweet, low laugh of badinage—
That’s Camouflage.
What’s Camouflage?—A web for flies;
The mist that blinds the lover’s eyes;
The dainty scrap of this or that
Which ransoms yester-season’s hat;
The sauce that turns the humble stew
To some delectable ragout;
The motor-builder’s happy scheme
To make the humble chariot seem
A car from Croesus’s garage—
That’s Camouflage.
What’s Camouflage?—The printed lure
That promises the wondrous cure;
The caster’s fly of colors gay,
The mining stock, the smooth toupée,
The bluff that screens the empty purse
Or masks untidy prose as verse,
The veil of picturesque romance
That changes theft to High Finance
And treachery to Sabotage—
That’s Camouflage.
What’s Camouflage?—Oh, many things!
The pomp and pride of thrones and kings;
The gambler’s hope; the rosy wreath
That fades and leaves the thorns beneath;
A wrecker’s light; the phosphor glow
Some mocking star has cast below
To make the eye of men behold
Their gold as dross, their dross as gold;
The zealot’s vision, Fame’s mirage—
That’s Camouflage.
