dazzle ship camouflage schemes (2016) by Roy R. Behrens, "in the style" of four famous artists. Can you name them? Answers are at the bottom of this blogpost. more>>>
"Camouflage" in Time magazine (1939)—
Camouflage in the last war meant whirls, blotches, stripes and curlicues with which "experts" made common objects look like a Futurist's bad dream.
Answers: (top to bottom) Thomas Hart Benton, Georgia O'Keeffe, Paul Klee and Balthus.
Saturday, May 28, 2016
Plenty of Camouflage in New York Harbor in New York Times (January 20, 1918), p. 63—
The wonders of camouflage, as it is practiced by the men of the fighting armies abroad, are much pictured and described for American readers, but any New Yorker who wants to inspect its experiments for himself has only to take a ferry boat trip across the harbor on almost any bright day. There he will see at anchor, or coming in or going out, numerous ships whose painted sides reveal such wild extravagances of form and color as make the landsman open his eyes with amazement and mystification.
Answers: (top to bottom) Caravaggio, Juan Gris, Pablo Picasso and Wassily Kandinsky.
Friday, May 27, 2016
Sir Alister Hardy, The Living Stream: A Restatement of Evolution Theory and its Relationship to the Spirit of Man. New York: Harper and Row, 1965—
I think it likely that there are no finer galleries of abstract art than the cabinet drawers of the tropical butterfly collector. Each “work” is a symbol, if I must not say of emotion, then of vivid life…It is often, I believe, the fascination of this abstract color and design, as much as an interest in biology or a love of nature, that allures the ardent lepidopterist, although all these may be combined; he has his favorite genera and dotes upon his different species of Vanessa and Parnassius, as the modernist does upon his examples of Matisse or Ben Nicholson. The one-time schoolboy collector will in later life be transfixed with emotion for a moment at the sight of a Camberwell Beauty or a swallowtail—I speak from experience.
Answers: (top to bottom) Pieter Bruegel the Elder, Arshile Gorky (who taught a course in camouflage to civilians during World War II), Richard Diebenkorn and Wayne Thiebaud.
Monday, May 23, 2016
|British Navy camoufleur Lieutenant O. Moser (c1918)|
Update Since the above was originally posted, we've learned a bit more about the fellow in the photograph. He was a British artist and illustrator named [Robert] Oswald Moser (1874-1953). An officer in the Royal Navy Volunteer Reserve during World War I, while he was surely not in charge of British ship camouflage, he was most likely on the team who served under Norman Wilkinson, along with UK artists Jan Gordon and Cecil King. We've seen that ship model before, because it was reproduced in a 1918 article by Gordon on "The Art Of Dazzle-Painting." It shows the dazzle pattern for the RMS Olympic.
Otherwise, he was an interesting painter, whose finest artwork may have been a strange painting (somewhat Stanley Spencer-like) titled Wounded Sailors Listening to Musicians Playing on Board a Ship (c1918). But there's also a wonderful self-portrait from 1928 (reproduced below), which is in the collection of the Russell-Cotes Art Gallery and Museum.
[For a detailed further update on Norman Wilkinson's dazzle camouflage team, see more recent blogpost here.]
|Oswald Moser, Self-Portrait (1928)|
From MEN FROM EVERY STATION IN LIFE BUILDING SHIPS. Even Doctors, Lawyers and Clerks Have Been Whipped Into Shape as Workmen; Much Friendly Rivalry (reporting on operations at the Moore Shipbuilding and Dock Company in Oakland CA) in the Albuquerque Morning Journal (Albuquerque NM), October 14, 1918, p. 1—
Ship camouflage gives every boat from this plant the appearance of some monster futurist painting that has left its frame for a spin on the ocean. The idea is carried out to such an extent that an aviator or lookout gazing down at her is deceived in her size and direction. Each camouflage scheme is worked out to give its own particular illusion.
Below is another restored photograph from the same NHHC archives in which two wooden ship models are positioned side by side, the one on the left having been dazzle-painted in the British manner while the one on the right is unpainted.
|WWI ship camouflage demonstration|
From SHIP CAMOUFLAGE FUTILE, SAYS NIXON; Asserts German Periscope Reveals Outlines, Regardless of Color Plan in the New York Sun, March 7, 1918, p. 4—
Camouflage of ships is a useless art. No longer does the much heralded war method of concealment hide allied transports from the destructive eyes of the Kaiser's U-boat, according to a statement made yesterday by Lewis Nixon, shipbuilder, at the luncheon of the Brooklyn Chamber of Commerce…
"The Germans are inventive. They are desperate and they are relying on the submarines," said Mr. Nixon. The peculiar coloring of our ships is of no avail, because they have invented a periscope that reveals the ship in outline, regardless of coloring.
Saturday, May 21, 2016
|Model of dazzle-painted SS Hindustan|
Friday, May 6, 2016
|from current issue of Works That Work|
|John Goss book illustration (1919)|
At about the same time, the application of dazzle-like camouflage patterns to rowboats was all but epidemic (see below), as were cartoon comparisons of dazzle with all sorts of commonplace phenomena.