Saturday, May 9, 2015

USS Sturgeon Bay in Camouflage at Green Bay WI

USS Sturgeon Bay in dazzle camouflage
What colors were used on World War I American camouflaged ships, and in what combination? It seems we can never be certain, since apparently no color photographs were made of them. Some hand-painted models exist. There are also several hundred color lithographic plans (including one full set at the Fleet Library at the Rhode Island School of Design), but they state that the colors shown on the plans are merely placeholders and may not be the actual colors applied. There are also dozens (probably more) of artists' on-site portrayals of dazzle-painted ships, c1918-1919.

Never before have we seen a hand-tinted photographic postcard of a dazzle-painted ship, of which there are two versions (above and below on this blogpost: NH 105922-A-KN and NH 105922-KN) on the website of the Naval History and Heritage Command. These are cropped and uncropped photographs of the USS Sturgeon Bay at Green Bay WI, two postcard versions of the same view, c. 1919 .

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Associated Press, SCHOOL FOR CAMOUFLAGE ARTISTS AT GREAT LAKES, Janesville Daily Gazette (Janesville WI), August 26, 1918, p. 1—

Great Lakes, Ill., Aug. 26—A school of camouflage artists is the newest feature of the art officer school of the Great Lakes naval training station. The instructor is Karl O. Amend,• formerly a theatrical scenic artist in New York. Courses in the school will take 12 weeks to complete and graduates are to be given opportunities for advance rating in the service.

USS Sturgeon Bay in dazzle camouflage


From CAMOUPEDIA: A Compendium of Research on Art, Architecture and Camouflage (2009) and other sources: Karl (Otto) Amend (1885–January 2, 1944). Originally from Ohio, Amend was trained as a set designer. He designed stage sets for various Broadway plays, including Smile at Me, I Must Love Someone, and Vanities, and was founder and proprietor of Amend Scenic Studios. In 1982, an exhibition of his work, titled Behind the Scenes: The Theater Art of Karl Amend, was held at the New York Public Library.

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