Friday, August 15, 2025

Picasso, camouflage, and the moth known as Picasso

Above This is, believe it or not, an insect called the Picasso Moth, known scientifically as Baorisa hieroglyphica. It was discovered by the British entomologist Frederic Moore in 1882, when artist Pablo Picasso was one year old. Surely, it was given his name (probably after World War I) because people came to believe (thanks to Gertrude Stein in part) that he had invented wartime camouflage. Not so, but the error continues. That assumption was emboldened by rumors (as in quotes below) during WWII that Picasso had somehow served as a camouflage advisor for the French government.

That there are resemblances between certain aspects of Cubism and WWI camouflage is undeniable. And yes, Picasso (and untold others) saw those resemblances. But he did not originate the practice during WWI. See my earlier online essay on this.

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Anon, from Le Devoir (Montreal), May 30, 1940—

The godfather of camouflage
Camouflage, which has truly become an official weapon of war since there are now regular sections to which specialists are attached, is a French invention of the other war. It began with the substitution of conspicuous uniforms, from red, to blue and gold, to horizon blue, to the colors of the earth and the sky, then to khaki, less messy, and especially less lamentable as it becomes increasingly worn.

What few people know is that the official godfather of camouflage is none other than the inventor of cubism, Pablo Picasso. An official asked that artist, with tongue in cheek, for his advice on how to make men invisible to the enemy. Picasso, in all seriousness, replied, "Dress them as harlequins..!" It was a joke which others took seriously and was soon adopted, for it is indeed in harlequin patterns, in effect, that the factories, the cannons, the vehicles, and even the ships, are now disguised.


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Anthony Marino, in “He’d Like to Hear What Artists Think,” a letter to the editor in The Pittsburgh Press, November 26, 1944—

I was not surprised when [Pablo] Picasso was placed at the head of the camouflage department in France; nor when [Homer] St. Gaudens was placed at the head of the same department in this country. Both were given the job of making “something” look like “nothing.” Both had already demonstrated their aptitude at the much more difficult task of making “nothing” look like “something!”

RELATED LINKS

Dazzle Camouflage: What is it and how did it work?Nature, Art, and Camouflage / Art, Women's Rights, and CamouflageEmbedded Figures, Art, and Camouflage / Art, Gestalt, and Camouflage /  Optical science meets visual artDisruption versus dazzle / Chicanery and conspicuousness /  Under the big top at Sims' circus