Tuesday, October 3, 2023

contributions of Hollywood to WWI ground camouflage

Above Camouflage pattern (digitally-colorized, thus historically unreliable) on World War I huge long-range artillery, mounted for railway transport, c1918, unknown source.

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G.P. Harleman, News of Los Angeles and Vicinity in The Moving Picture World, December 1, 1917—

Lawson Organizes Camouflage Artists
Lee Lawson, [Hollywood] technical expert, has received from the Adjutant General authorization to form a company of two hundred and fifty men of the [motion picture] studio plants for the camouflage department to be incorporated in the Twenty-Fourth Engineers.

Lawson has been engaged at his trade locally for the past twelve years. He recently asked for authority to organize a company of camouflage artists. His appointment was made by Secretary of War [Newton] Baker.

All the ingenuity of “trick stuff” manifested in motion pictures will be transplanted to the camouflage activities in France. Scene painters, artists, sculptors, property men and numerous other classes of employees in studios will comprise the company.

Lawson already has sixty-four men enrolled. These will leave in a few days for American Lake [near Lakewood], Washington, where they will receive instruction in the most advanced methods of camouflage work.


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G.P. Harleman, News of Los Angeles and Vicinity in The Moving Picture World, December 15, 1917, page 1637—

Camouflage Artists Leave for Training
The greatest camouflage company in the world, according to Major George P. Robinson, United States Engineers Corps, left Los Angeles November 24, for an eastern training camp. There wre sixty-five men in the part, headed by Lee Lawson of the Universal. The personnel were recruited almost exclusively from the leading motion picture studios of Los Angeles.

“Nowhere else in the world could a company of men of similar qualifications have been recruited,” said Major Robinson. “The best scenic artists and men of kindred trades in the motion picture industry are here.”

Just before the train pulled out of the station Lee Lawson made a short speech to the crowd. “Friends, we’re going over there to fool the Kaiser, and if Yankee genius counts for anything we’ll be there with the goods,” he said.

The leave taking was different from any farewells given any party of soldiers leaving Los Angeles heretofore. Sixty-five young men, all of them known personally to the five hundred or more persons who bade them goodbye, caused everybody to cry goodbye to everybody else. It was a scene not easily forgotten.


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News of Cinema and Film Gossip in The New York Sun, February 2, 1919, p. 39—

Lieutenant Lee Lawson, former technical director, Sergeant Clarence DeWitt and Sergeant H. Divver, formerly of Universal City, for over nine months members of a camouflage regiment in France, has returned to the studio. When America entered the war Lieutenant Lee [sic] assembled scenic artists, sculptors, directors and property men in a camouflage platoon. He was wounded twice, Sergeant DeWitt gassed, and Sergeant Divver wounded twice.

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Dazzle Camouflage: What is it and how did it work?

 Nature, Art, and Camouflage

 Art, Women's Rights, and Camouflage

 Embedded Figures, Art, and Camouflage

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 Optical science meets visual art

 Disruption versus dazzle

 Chicanery and conspicuousness

 Under the big top at Sims' circus