Above One of ninety posters designed by graphic design students at the University of Northern Iowa, to advertise an upcoming talk on WWI ship camouflage by RISD scholar Claudia Covert. This is one of three posters designed by Samantha Schilmoeller. Copyright © 2012 by the designer. All rights reserved.
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Anon, “Cubist Art and Filigree Designs Make Manufacture of Drums a Difficult Task” in Music Trades. September 2, 1922, p. 31—
The production force today [in manufacturing drums] must be greatly enlarged since jazz happened along and turned things topsy-turvy in the music world. In addition to others necessary for the production end, there must be an artist, an authority on cubist designing, a camouflage expert and others who are both numerous and expensive. The jazz orchestra, with its craze for something different, has affected the drum making business.
"In addition to a good drum in the strict sense of the word [said a company executive], the musician wants a lot more…
What are you going to do when such an order comes in?…[Maybe a member] of the jazz fraternity wants a drum head done in a cubist design to match his uniform. The average artist knows little and cares less for cubist art. So we must look among such Bohemians as may be found in Indianapolis and ferret out one who has studied along those lines.
Others want stripes, large and small, around one way; and others want stripes, small and large, around the other way. What’s the poor manufacturer to do? …Believe me, styles are getting more uncertain in the drum business than for women’s hats."